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Manipulating Memories Of The Past

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Investing her interest in memory and its mechanisms into her work, Polish artist Weronika Gesicka modifies American stock photography from the 1950s and ’60s, questioning and altering the reality of each captured moment. The series has been entitled ‘Traces’, to highlight the significance of the photograph as a trace of the past — whether that trace is fact or fiction is left for us to decide.

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